Jeff Weber

In the studio, that philosophy means that the design of an object, a building or a service “is the connective tissue between people and the world. The quality of that design really dictates the quality of the user’s experience and thus defines our existence.”

With an emphasis on results, an integral and important aspect in his design process is research. When designing Herman Miller’s Embody chair, for example, Weber and the Herman Miller team spent nearly two years talking with experts in various fields of medicine, from specialists in upper-extremity conditions to opticians and neurologists. It was all in an effort to gain a real understanding of what it takes “to support a body in space in a healthy way and enable motion at the same time,” he says.

“The human body is a constant source of inspiration for me,” he continues. “Workplace demands and responsibilities may change, but the human element remains relatively the same. My challenge is always, ’How can I produce something that will actually improve that condition?’ Comfort and health are like love and peace: can we ever have enough?” he ponders.

Weber says the most satisfying part of his work is watching someone enjoying the final outcome of his efforts. “Seeing someone sitting in a chair and appreciating the logic and rationale behind it is very gratifying.”

He says he’s finding this stage of his career to be especially energising. “I’ve always believed that good design is a blend of art and science,” he says. “To use that combination in ways that positively impact how people live and work is really exciting to me.”